'Cat Fuller’s set of white, padded walls evokes both the intimacy of the boudoir, and the suffocation of an asylum, while a window at the centre of the stage becomes a portal through which the maids’ anxious fever dreams play out.'

The TELEGRAPH

'Cat Fuller’s set design mirrors a padded jail cell. This sterile white works to contrast the colour of the violence, and the blood-red dress of the Mistress which becomes so vital in the piece. '

REVIEWS HUB

'Set designer Cat Fuller shows flair and discipline in equal measure. Much of the performance area is padded white cubes suggestive perhaps of the asylum that awaits the girls.'

PLAYS INTERNATIONAL